墨の滴る情熱が紙面を舞う。

文字一つに込められた感情、その緻密で奥深い世界を探求する姿勢。

匿名文字でなく、美術、あるいは 一つの表現としての「書」を生み出す技術。

時代は変わり書世界も変遷する。
かつて実用的な要素が強かった「書」が美術としての位置を獲得する中で、私は一つの課題を常に胸に抱いている。

「何の為に、誰の為に書いているのか」

息子たち、両親、兄、そして故郷である高知へ向けた深い愛情は、強い絆から生まれたものである。

その絆は、独創的な「春闌の書」を生み出し原動力ともなった。

私の作る「書」は、ただの伝統や格式ではない。
伝統的からモダンまで、多岐にわたる技術とスタイルを融合させ多くを学び、多くを書き、多くを表現し一人の人間として、常に正しき道をひたすら歩んでいく。

私が創り上げる「書」が、暮らしに寄り添い、時にはその心の癒し、人々の心がなごむ「書」を目指し豊かな風景を紡いで行く。
そして、次世代にもその魅力を伝えていきたい。

それが、私の書く理由、そして、書道の世界への深い愛情とこだわりなのだ。

山沖春闌(やまおき しゅんらん)

Shunran Yamaoki

1948年高知県生まれ。6歳より書を始める
1982年独学で筆耕業を始める
1987年岩田正直先生に師事
1989年埼玉県道人連盟教授資格取得、書道研究墨晨社漢字部師範
1990年フリーとなり「春闌」設立
2010年高知県立坂本龍馬記念館 館長のお声掛りで同館にて個展開催
2011年デザイン筆耕春らん株式会社として法人化
2012年「第34回日本美術の輸出展」in Art Gent 2012 ベルギー展出展
2014年第30回 産経国際書展新春展会友奨励賞(1月)「水」
2014年第31回 産経国際書展会友奨励賞(7月)「野に在りて」
2016年第33回 産経国際書展無鑑査会員特別奨励賞「室生犀星の詩」
2020年第34回 産経国際書展新春展 超大作出品ギャラリートーク

・デザイン筆耕春らん株式会社 代表取締役
・産経国際書会審査会員
・公募インテリアの書展 同人
・インテリアの書「風の会」主宰
・個展・グループ展 多数
・高知県人会幹事 土佐二十日会会員

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Profile

Calligrapher

Shunran Yamaoki

Passion dripping with ink dances across the page.

Emotions contained in each letter,An attitude of exploring the detailed and deep world.

Not anonymous characters, but art, or The technique of creating calligraphy as a form of expression.

Times change and the world of books changes as well.
Calligraphy, which once had a strong practical element, while gaining a position as art, I always have one issue in mind.

“For what purpose and for whom are you writing?”

Sons, parents, brothers, and his deep love for his hometown, Kochi, it was born from a strong bond.

This bond became the driving force behind the creation of the original  “Shunko no Sho.”
The “calligraphy” I create is not just tradition or formality.

From traditional to modern,
combining a wide range of techniques and styles learn a lot, write a lot, express a lot.
As a human being, I will always walk the right path.

The “calligraphy” I create is close to your daily life, and sometimes heal your heart, aiming for calligraphy that soothes people’s hearts creating a rich landscape.
And we want to pass on that appeal to the next generation.

That’s why I write and it is a deep love and commitment to the world of calligraphy.

・Design Fude Koshunran Co., Ltd. Representative Director
・Sankei Kokusai Shokai review member
・Calligraphy exhibition of open call for interiors Doujin
・Sponsored the interior book "Kaze no Kai"
・Many solo exhibitions and group exhibitions
・Secretary of Kochi Kenjinkai, member of Tosa Futsukakai

Profile

Calligrapher

Shunran Yamaoki

Passion dripping with ink dances across the page.

Emotions contained in each letter,An attitude of exploring the detailed and deep world.

Not anonymous characters, but art, or The technique of creating calligraphy as a form of expression.

Times change and the world of books changes as well.
Calligraphy, which once had a strong practical element, while gaining a position as art, I always have one issue in mind.

“For what purpose and for whom are you writing?”

Sons, parents, brothers, and his deep love for his hometown, Kochi, it was born from a strong bond.

This bond became the driving force behind the creation of the original  “Shunko no Sho.”
The “calligraphy” I create is not just tradition or formality.

From traditional to modern,
combining a wide range of techniques and styles learn a lot, write a lot, express a lot.
As a human being, I will always walk the right path.

The “calligraphy” I create is close to your daily life, and sometimes heal your heart, aiming for calligraphy that soothes people’s hearts creating a rich landscape.
And we want to pass on that appeal to the next generation.

That’s why I write and it is a deep love and commitment to the world of calligraphy.

・Design Fude Koshunran Co., Ltd. Representative Director
・Sankei Kokusai Shokai review member
・Calligraphy exhibition of open call for interiors Doujin
・Sponsored the interior book "Kaze no Kai"
・Many solo exhibitions and group exhibitions
・Secretary of Kochi Kenjinkai, member of Tosa Futsukakai

Profile

Calligrapher

Shunran Yamaoki

Passion dripping with ink dances across the page.

Emotions contained in each letter,An attitude of exploring the detailed and deep world.

Not anonymous characters, but art, or The technique of creating calligraphy as a form of expression.

Times change and the world of books changes as well.
Calligraphy, which once had a strong practical element, while gaining a position as art, I always have one issue in mind.

“For what purpose and for whom are you writing?”

Sons, parents, brothers, and his deep love for his hometown, Kochi, it was born from a strong bond.

This bond became the driving force behind the creation of the original  “Shunko no Sho.”
The “calligraphy” I create is not just tradition or formality.

From traditional to modern,
combining a wide range of techniques and styles learn a lot, write a lot, express a lot.
As a human being, I will always walk the right path.

The “calligraphy” I create is close to your daily life, and sometimes heal your heart, aiming for calligraphy that soothes people’s hearts creating a rich landscape.
And we want to pass on that appeal to the next generation.

That’s why I write and it is a deep love and commitment to the world of calligraphy.

・Design Fude Koshunran Co., Ltd. Representative Director
・Sankei Kokusai Shokai review member
・Calligraphy exhibition of open call for interiors Doujin
・Sponsored the interior book "Kaze no Kai"
・Many solo exhibitions and group exhibitions
・Secretary of Kochi Kenjinkai, member of Tosa Futsukakai